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Author Topic: Dance Photography - NUS Arts Festival 2008  (Read 3551 times)
hwchoy
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« Reply #15 on: February 18, 2008, 01:42:16 AM »

come for the unpaid shoot then you can be unsafe  Afro
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Dream Merchant
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« Reply #16 on: February 18, 2008, 01:44:05 AM »

Safe is indeed good most of the time, but those are not the photos that I will be satisfied with. Smiley

Yeah, but you were doing a commissioned job, primarily.

There are togs who can pull off the creative stuff while supplying the safe shots, but it takes weeks of advanced planning and logistics management to do something like that.
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Dream Merchant
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« Reply #17 on: February 18, 2008, 01:47:42 AM »

I wanna see!  Drooling...  eh but performance got lots of moving objects.

You'll be dissappointed. It's an old manual focus lens that was a cult king in it's hey-days. It would give any of the modern Ls a hard run for their money but the lens got fogged, banged up and generally, as a result, introduces some of the most wonderfully subtle spherical abberations that no modern lens can ever duplicate, but if I need it razor sharp, just close-down and it does that too. You can get one for about a hundred bucks these days.
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hwchoy
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« Reply #18 on: February 18, 2008, 01:57:34 AM »

I want a banged up CZ 50/1.4. the problem is finding a good adaptor that will do infinity. or even a 85/1.x
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Dream Merchant
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« Reply #19 on: February 18, 2008, 02:14:29 AM »

The good ones wil cost you big time - ard SGD300 fully manual.

I've used a mid-range one (fully manual) with a CZ/C/Y 28 f/2.8 on a 5D with awesome results.

Can't remember the brand off-hand, but I can easily search for it if you like.

Yeah, the most brilliant manual lens is entirely at the mercy of the adapter, and if you're willing to pay, and find a great one, it may not necessarily work that great with all your manual lenses, so seperate, dedicated adapters are recommended for each lens once you find an optimum match.
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hwchoy
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« Reply #20 on: February 18, 2008, 02:16:00 AM »

now I want a digital rangefinder 
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jediforce4ever
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« Reply #21 on: February 18, 2008, 02:18:11 AM »

Guys, keep on topic. Smiley


Yeah, but you were doing a commissioned job, primarily.

There are togs who can pull off the creative stuff while supplying the safe shots, but it takes weeks of advanced planning and logistics management to do something like that.
I guess its not too much about creativity, but the angle in which I am approaching the event. Lips Sealed
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Michael
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« Reply #22 on: February 18, 2008, 09:58:39 AM »

Choy, do we have to commit to all 2 or 3 days of a certain festival. Or can help out as many days as possible? Whats the recommended focal?
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absolute power corrupts absolutely. canon is powerful and corrupted my CF card.
hwchoy
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« Reply #23 on: February 18, 2008, 10:02:22 AM »

you can sign up for any of the events. they are not particular as long as you follow some access rules and give them your pix Cheesy
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hwchoy
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« Reply #24 on: February 18, 2008, 10:04:04 AM »

please sign up here

http://forum.canongraphers.org/index.php/topic,1938.0.html


mikey can you make it a notice/sticky?
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jediforce4ever
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« Reply #25 on: February 18, 2008, 01:13:46 PM »

Ok.I have made it a sticky. Very Good
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Michael
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« Reply #26 on: February 18, 2008, 04:07:20 PM »

you can sign up for any of the events. they are not particular as long as you follow some access rules and give them your pix Cheesy

i'll go with u for the medicine by mic yeung.

the rest i've never heard b4 though.

location and focal length wise, must be 200 f1.8 ha?
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absolute power corrupts absolutely. canon is powerful and corrupted my CF card.
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